On Sunday, my friend Maria and I went to a screening and panel discussion of Koyaanisqatsi at indie theater Facets. Koyaanisqatsi (subtitled “life out of balance), a sequence of images set to a score by Philip Glass, is described as such:
An art-house circuit sensation, this feature-length documentary is visually arresting and possesses a clear, pro-environmental political agenda. Without a story, dialogue, or characters, Koyaanisqatsi (1983) is composed of nature imagery, manipulated in slow motion, double exposure or time lapse, juxtaposed with footage of humans’ devastating environmental impact on the planet. The message of director Godfrey Reggio is clear: humans are destroying the planet, and all of human progress is pointlessly foolish.
Sounded wonderful in a beautifully depressing way – sign me up! For a better understanding of the film, watch the short trailer below:
For me the film displays an overwhelming grimness and hopelessness for the human species. City life is portrayed as absolutely Kafkaesque, with a focus on endless streams of cars and people being sucked into and spit out of public transportation like so many hotdogs on an assembly line. By the end, I felt ready to flee Chicago for a quiet country cabin in the middle of nowhere.
However, this feeling of oppression lifted as soon as I stepped outside and started riding my bicycle home. Nothing seems so grim while bicycling down tree-lined streets in the sunshine and fresh winter air. I really think I would not have lasted in the big city this long (6 years and counting!) without my bicycle, because being stuck on a crowded subway train or in car traffic every single day is oppressive. Bicycling allows me to break away from all that.
(Here is what I wore on my bike, before piling on the winter layers.)
You can watch all 1 hour and 26 minutes of the film for free on Hulu. Warning: if you watch, be sure to have some kittens, puppies, or bicycles nearby afterward to cheer you up.
Has anyone else seen Koyaanisqatsi? What did you think?